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Melopoetica is a term used by scholars and composers of the 17th and 18th centuries alike, to describe the relationship between rhetoric and music.

Melopoetica or musica poetica, from the Greek melos = melody and poiesis = poetry, is very closely related with the baroque doctrine of the affections (affektenlehre) and the musical pathos. To move, affect and stir the passions is the main aim of the baroque with the utlimate goal of an edifying experience.


"Melopoetica is to perform rhetorically under the baroque mandate of affectus movere."
Iason Ioannou

Melopoetica was formed in 2003 with the aim of creating fresh and innovative performances of repertoire from the late sixteenth century to the classical works of Mozart and Haydn. Since 2003 the London based ensemble has been playing to audiences worldwide, and are fast developing a reputation for unique interpretations and performances that truly engage with and move their audiences.

They have performed in festivals throughout England and Europe, including the London Handel Festival, the Hexham Abbey Festival, Greenwich Early Music Festival, Alte Music Feldkirchen and the Tilford Bach Society. Associations with other ensembles led them to play in Greece and Sweden. They have recently returned from a month long tour of South Africa, and have future concerts planned at the Handel House Museum with singer Claire Troth, City Music Society and Farnham Classic Concerts.

Melopoetica were awarded the title "English Concert Junior Fellow" by Trinity College of Music in 2006.

The ensemble consists of Bárbara Barros and Siv Thomassen, baroque violins, Iason Ioannou, baroque cello and Erik Dippenaar, harpsichord. Bárbara plays a 2005 Amati copy by Willibrord Crijnen, Siv, a 2004 Steiner copy by the same maker, and Iason plays a 2005 Gofriller reproduction by Clive Morris.

“We were impressed by the imagination and colour in your programme … Your playing has charm and exciting individuality”
Orchestra of Age of Enlightenment


“She unfolded a torrential energy showing that she is one of those interpreters that knows that the score is not a sacred text and immutable… the inventiveness, the fantasy and the wisdom exceeds her”
Aula Clasica


“A breath of wind from the wings of madness.”
Baudelaire


Siv Thomassen moved to London to study the baroque violin after finishing her undergraduate degree at Griegakademiet, Institutt for Musikk in Bergen, Norway.

Besides playing with Melopoetica, she is now freelancing and has played with ensembles as Gabrieli Consort and Players (with whom she has participated on two CD-recordings), Florilegium and Barokkanerne (Norway).



Iason Ioannou was born in Drama, a small town in northern Greece. In Greece he completed his cello studies with A. Filippou and his higher theoretical studies with P. Bekiarides, graduating with distinction and an honorary artistic award.

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Erik Dippenaar was born in 1982 in South Africa. At the end of 2003 he obtained the degree B.Mus (cum laude) from the University of Stellenbosch, South Africa. Following his academic achievement at the abovementioned institution, he was awarded Academic Honours.

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All photos on this website are by Andres Rodriguez © 2003 Melopoetica
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© melopoetica 2008